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what I’ve been up to

ashleydawndigitaldrawing:

http://ashleydawnblog.tumblr.com/

Documents what I’ve done so far in the BFA program, or at least most of it! 

paramoderne:

“The one I shall now describe, if I can…”, 2011 by Cynthia Daignault. Oil on linen.

paramoderne:

“The one I shall now describe, if I can…”, 2011 by Cynthia Daignault. Oil on linen.

paramoderne:

Left: Rina Banerjee, Upon civilizing home an absurd and foreign fruit grew ripened, made food for the others, grew snout, tail and appendage like no other, 2010, mixed media, 40 x 30 x 40”. Right: Rina Banerjee, Take me, Take me … to the Palace of Love (detail), 2003, mixed media, 13 x 13 x 22’.
Rina Banerjee

paramoderne:

Left: Rina Banerjee, Upon civilizing home an absurd and foreign fruit grew ripened, made food for the others, grew snout, tail and appendage like no other, 2010, mixed media, 40 x 30 x 40”. Right: Rina Banerjee, Take me, Take me … to the Palace of Love (detail), 2003, mixed media, 13 x 13 x 22’.

Rina Banerjee

paramoderne:

Left: Dianna Molzan, untitled, 2009, oil on canvas, 24 x 20”. Right: Dianna Molzan, untitled, 2011, oil on linen and canvas on fir, 34 x 29”.
Dianna Molzan

paramoderne:

Left: Dianna Molzan, untitled, 2009, oil on canvas, 24 x 20”. Right: Dianna Molzan, untitled, 2011, oil on linen and canvas on fir, 34 x 29”.

Dianna Molzan

paramoderne:

In the Hood, by David Hammons, 1993. Part of the exhibit NYC 1993: Experimental Jet Set, Trash and No Star, at the New Museum

David Hammons

paramoderne:

In the Hood, by David Hammons, 1993. Part of the exhibit NYC 1993: Experimental Jet Set, Trash and No Starat the New Museum

David Hammons

paramoderne:

Objects Of Desire, 2005-2008 by Carlos Katastrofsky. A numbered, but unsigned set of sentences which disappears from the screen as soon as the next set is automatically displayed allows the visitor to be the owner of a unique work of art, but only as long as he/she keeps it in mind.

paramoderne:

Objects Of Desire, 2005-2008 by Carlos Katastrofsky. A numbered, but unsigned set of sentences which disappears from the screen as soon as the next set is automatically displayed allows the visitor to be the owner of a unique work of art, but only as long as he/she keeps it in mind.

Just got pigs on the farm :)

Just got pigs on the farm :)

Just got pigs on the farm :)

Just got pigs on the farm :)

Robin eggs in our backyard :)

Robin eggs in our backyard :)

what I’ve been up to

ashleydawndigitaldrawing:

http://ashleydawnblog.tumblr.com/

Documents what I’ve done so far in the BFA program, or at least most of it! 

paramoderne:

“The one I shall now describe, if I can…”, 2011 by Cynthia Daignault. Oil on linen.

paramoderne:

“The one I shall now describe, if I can…”, 2011 by Cynthia Daignault. Oil on linen.

paramoderne:

Left: Rina Banerjee, Upon civilizing home an absurd and foreign fruit grew ripened, made food for the others, grew snout, tail and appendage like no other, 2010, mixed media, 40 x 30 x 40”. Right: Rina Banerjee, Take me, Take me … to the Palace of Love (detail), 2003, mixed media, 13 x 13 x 22’.
Rina Banerjee

paramoderne:

Left: Rina Banerjee, Upon civilizing home an absurd and foreign fruit grew ripened, made food for the others, grew snout, tail and appendage like no other, 2010, mixed media, 40 x 30 x 40”. Right: Rina Banerjee, Take me, Take me … to the Palace of Love (detail), 2003, mixed media, 13 x 13 x 22’.

Rina Banerjee

paramoderne:

Left: Dianna Molzan, untitled, 2009, oil on canvas, 24 x 20”. Right: Dianna Molzan, untitled, 2011, oil on linen and canvas on fir, 34 x 29”.
Dianna Molzan

paramoderne:

Left: Dianna Molzan, untitled, 2009, oil on canvas, 24 x 20”. Right: Dianna Molzan, untitled, 2011, oil on linen and canvas on fir, 34 x 29”.

Dianna Molzan

paramoderne:

In the Hood, by David Hammons, 1993. Part of the exhibit NYC 1993: Experimental Jet Set, Trash and No Star, at the New Museum

David Hammons

paramoderne:

In the Hood, by David Hammons, 1993. Part of the exhibit NYC 1993: Experimental Jet Set, Trash and No Starat the New Museum

David Hammons

paramoderne:

Cardinaux, 2009 by Alain Séchas.

paramoderne:

Cardinaux, 2009 by Alain Séchas.

paramoderne:

Entoptic Phenomena, 2006-07 by William Hundley.

paramoderne:

Entoptic Phenomena, 2006-07 by William Hundley.

paramoderne:

Objects Of Desire, 2005-2008 by Carlos Katastrofsky. A numbered, but unsigned set of sentences which disappears from the screen as soon as the next set is automatically displayed allows the visitor to be the owner of a unique work of art, but only as long as he/she keeps it in mind.

paramoderne:

Objects Of Desire, 2005-2008 by Carlos Katastrofsky. A numbered, but unsigned set of sentences which disappears from the screen as soon as the next set is automatically displayed allows the visitor to be the owner of a unique work of art, but only as long as he/she keeps it in mind.

Just got pigs on the farm :)

Just got pigs on the farm :)

Just got pigs on the farm :)

Just got pigs on the farm :)

Robin eggs in our backyard :)

Robin eggs in our backyard :)

what I’ve been up to

About:

A 21 year old college student whose passion is in photographs, drawing, and digital artwork.